Final Script.

OBJECTS OUT THERE:  A NON-STARTER EVENT.

WRITTEN BY K.R.L HIGGINS.

     The stage is set out as a blank canvas that is dimly lit with a faint glow from its center. Directly overhead hanging in the middle is a large wooden frame that is painted white, hovering just a few inches from the ground. On its base is generic cup of tea in a ‘world’s best-actor mug’ and a half-eaten bowl of cereal that has been left just a little too long in the faint light.

Stood next to the hanging frame is a young man, dressed in grey pajama bottoms and no shirt, his hands are tightly clenched around each end of the frame and he stares blankly forward as if lost in thought. Around him is a variety of all manner of objects that have no reason for belonging in this given space. These objects differ from domestic small household ones, to one’s of a more practical nature. The energy delivered throughout should be fast and continuous.

In the background music is playing at a steady volume. (“I’m only sleeping” by The Beatles.) The audience are seated outside of the faint light in no organised order and are free to choose where they are seated.

The music continues to play until the performance is ready to begin and gently fades before being replaced. The lights rise to a crisp white.

MAN:       I have a question, and I need a simple answer… how the fuck do I open a show, better yet what is my show? Is it      political, topical, or just plain hypocritical. Am I supposed to be funny or energetic, or forgettable…?

           What do I wear, if I wear anything at all!

The MAN takes a large spoonful of cereal and messily spills it down himself, taking no effort to wipe it away. He takes another spoonful and continues staring at his chest.

           I think I should start by saying sorry, if this a start. I’m sorry I’m here and I’m sorry you’re here.

OK I’LL ADMIT IT I GOT DISTRACTED

           I procreated…Procrastinated! I let myself become stimulated by other things that peaked my interests.

I dropped the ball or balls.

The MAN heads over to several small balls on the ground and picks them up and begins juggling badly before abandoning it.

           I’ve been doing it all my life. It’s something I could almost claim to be an expert at. I even do it in my sleep.

           Procrastination is the thief of time. I’m going to steal your time. It’s ironic really.

The MAN takes another bite of cereal making no attempt to clear his previous mistake.       

There is no show. There never was. I did plan on having   something so interesting, so profound that you would need a month to get over it, you might have even need to phone in sick…

That could be food poisoning though.

Be careful the lasagna has razor-blades! (Mimes throwing a bowl)

The MAN takes a moment and a sip of the drink on the window frame before exhaling loudly and pulling a red tie from his pocket.

            I couldn’t afford my set. I’m on a limited budget you see.

While the MAN is talking he begins to slowly arrange the red tie around his shirtless neck.

            Tesco don’t sell backdrops or innovative staging-techniques. That stuff comes from Waitrose or Marks & Spencer’s. I’m stuck with fucking Lidl…

Once the red tie is arranged the MAN assumes a more professional manner, similar to that of a lecture about to give a speech. (Complete with mannerisms.)    

ARE YOU LISTENING…I want to talk to you about procrastination. In many way I’m going to procrastinate while I do so.     Procrastination is defined as:

The action of delaying… (Silence)…or postponing something, it is argued that human experience has become a highly engineered and therefore malleable thing.

Physiologists argue that attention might be categorized by whether it is goal-driven or stimulus driven.

The MAN pauses and swivels the tie around to the other side of his back and resumes standing at the window once again.

            AM I STILL TALKING?

            WHAT WAS I SAYING…?

            Pessimism… no that’s not it.

            I could tell a story about love or loss or hate…

            I could make up the entire thing.

During his last words the MAN walks around the performance area and picks up several cardboard clouds and a large white sheet. He devises a long white rectangle out of the sheet and hands it to the audience at each end, and then presents the audience with several cardboard clouds in which he instructs them to move left and right throughout creating the flow of the clouds in the sky. From one of his pockets he hands out lollies in no particular order.

There is a blue wash over the audience.

They’re clouds, that’s a window. It’s a very simple show. The lollies are people.

The MAN throws the lollies into the air.

No thought went into this.  

            Chaos. Mundane. Pointless. All words I could use to describe this show, if it is a show.

            Pay close attention to the most tedious thing you can find

            You’re not going to learn anything new here.

            Do you want a sweet, they have been in my pocket for a while.

            I always liked looking out at the world and seeing everyone differently. Knowing that all over this planet everyone is unique… from the beggar under a bridge to the king in his castle. All counting the hours and days.

            Did you ever think that every house you see outside your window is unique from its wallpaper down to its floorboards? It’s an interesting thought.

            I couldn’t decide what to wear, I thought this was the best option… smart casual. (Gestures to body.)

            Maybe I should do drag in my show, I always looked great in a dress, that would stop the boredom.

            I’m sorry I’m really not good at this kind of thing.

Image of MAN in drag flashes briefly behind him. During this he retakes the red ties and throws it back round his neck. After a moment the MAN walks over to a blazer that is laid on the floor. He quickly puts it one making a half-arsed attempt to look smart before talking. The lights return to the crisp-white wash.   

            I don’t think becoming distracted is bad it’s not a negative. It’s the opposite. I think I should embrace the dullness, who knows it might be interesting to explore!

            I’ve always had this problem I can never make up my…

            Learning how to think really means learning to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience.

            I’m going to give it a go.

The MAN clears his throat before speaking. Heads over to a lamp placed on the ground and begins talking. He sits on the ground looking forward and talking in a causal manner.

            It’s early evening, the sun is shining brightly (no effect)… The sun was shining brightly. (Clicks on the lamp.)I’m sat outside with my laptop on my lap and a random drink in my hand. I can’t afford Starbucks these days. I’m listening to blues, I think it’s the blues… It had rhythm and soul at least I thought it did.

(“Evening” by Hugh-Laurie) plays faintly in the background. Before it starts the MAN gives a gesture to acknowledge the music.

            I had an hour to kill before meeting someone. I decide to write, people are giving me strange looks and stares. Why is he alone, where are his friends… How long do you think his laptop-battery will last? There are skaters in front of me… I find them annoying. I watch their clothes in the breeze. They keep looking at me and me them. I like the feeling of amenity… of not existing and trying, desperately, desperately trying to devise a profound show.

            Should I play a game with the people watching me… Naughts and crosses, battleship. How about twister?

The music comes to a slow fade. The MAN stands up and takes off the tie dropping it to the floor and the blazer. (Turns off the lamp.)    

            I failed… See once again I’m distracted.

            They’re all wearing the same shoes… it must be nice to be an individual these days!

            Objects… I never explained the objects.

            Have you ever had a conversation with yourself? Or in my case an argument… They are always right.

            What If I gave everyone a balloon to hold, someone would most likely pop it… ruin the show.

            Should I.

            Would you understand?

            Do I understand?

            Where was I…? I’m always getting distracted.

            Objects… I’ll get to that. (Pauses.)

            There’re my distractions… There so many of all different shapes/sizes and uses.

            Some are pointless. It’s a metaphor!

            Most of them never get used. They are like scribbled pages deleted on Microsoft Paint. Destined for the recycle bin.

            I warned you that little thought had gone into my thinking. Maybe I should have painted myself with yellow-paint… added a line from Shakespeare made some deeper meaning in my words.

            “Been very arty about the whole thing.”

            But no I’m stuck with this. I’m sorry.

            I’m bored, discontent, annoyed.

            It’s like stepping from black to white and into colour or am I just forgetting something.

            Do you think dogs mind being colour-blind?

            I really wanted to perform in my room… it would have been weird though, who wants a bunch of strangers looking in their sock-draw or worse. I settled for this and I picked and built everything myself.

            (Goes to knock on the wooden window frame)

            Better not tempt fate.

The MAN takes another random object off the floor this time a pillow and lays down looking up. When the MAN is laid on the floor he looks up and there is footage of day/night cycles that play projected onto the window. The lights wash to a natural blue and the MAN begins to speak.

            Days and nights I have spent obsessing over this performance, about what I could do and what I could say. How people would react… Maybe I should give up.

            Maybe I should invite someone on stage…

The MAN walks towards an audience member and reaches with an outstretched hand. He hands them a lolly and walks away.

            Did you feel everyone get a little tense there?

            If I would be sick or if someone would faint… How dare someone faint when I’m talking, it’s just rude.

            Who would direct me?

            I have one thing left to say or is it two I forget? (Pauses)

            Do you want a biscuit?

The MAN Goes over to a plate of biscuits and begins to hand them out.

            I’m going to have one. (Eats several biscuits)

            This has been a lesson in procrastination. Yes granted it could have been better, there could have been better production values… But it is what it is.

            But that is the point of it, there is no point. I just wasted my time and your time.

            I feel cheated.

            I had so much potential.

            I’m a bit of a pessimist, I’m pretty sure you will think that. I’ll be judged for not being clever or inventive.

            I was myself. I was average. I was just another wasted couple of minutes of your life.

The MAN stands up shirtless and stands near the window frame as he did at the very beginning and picks up the spoon in the cereal, he looks forwards blankly and brings the spoon to his mouth.

            Can I ask you a question?

            I need a simple answer.

            I was… procrastinating.

Blackout.

Final Blog post.

Below follows my overall thoughts on the developing process as well as some final thoughts on the overall piece. For the sake of limits concerning uploading videos I’ve had to split the video into three parts. (sorry) These videos serve as my final blog post and I feel offer a more personal approach to my overall feelings on the development process and myself as a developing artist. I can’t stress how much work it took to upload these files in the correct format. I have also included some photos from my finished performance and even the script I used when creating the work I performed. I think presenting my final thoughts on the module via several  videos in this format says more than I ever could in written words. I think the most interesting part of my performance was the reaction I got from my audience which I would describe as weary at first, however after the first dramatic beat it lead them to endorse the performance.

Final Blog Post Part One. 

(KyleHiggins, 2016).

Final Blog Post Part Two. 

(KyleHiggins, 2016).

 

Final Blog Post Part Three. 

(KyleHiggins, 2016).

The final layout of my stage. I think it looked fantastic and suited my performance needs from the everyday objects to the ones of a more practical nature. I think the nature of the performance suits this stage well and it is interesting to look at and also to perform in. As you can see there are many random objects and this is the point of the visuals, I want people to ask why is this here and what relevance does it have? As in my final show I abandoned all pretense and ideas of eating cereal and wearing ties on stage as I felt this was more harmful to my overall performance,  however I think my final choice in show style and format was well adjusted and harmonious to my overall piece.  I like messy and I like organised mess as it adds to the overall drama of my script.

Front on look at the stage.

Side view of the stage.

Back view close to the window.

 

The rough window I build for my performance which was suspended mid air and projected behind on. This was used for clouds  projection and other media. I think overall it looked effective. Simple wood and nail frame.

 

 

 

 

 

Works Cited.

Kyle Higgins . (2016). Vlog P1. [Online Video]. 25 May 2016. Available from:https://www.youtube.com/watch?v=xTHtRdAs_So&feature=youtu.be. [Accessed: 25 May 2016].

Kyle Higgins . (2016). Vlog P2 Full. [Online Video]. 25 May 2016. Available https://www.youtube.com/watch?v=914BEwOgbVs&feature=youtu.be  [Accessed: 25 May 2016].

Kyle Higgins . (2016). Vlog P2. [Online Video]. 25 May 2016. Available https://www.youtube.com/watch?v=GV0ZVIJ_cq0&feature=youtu.be  [Accessed: 25 May 2016].

Will Eno.

Firstly I want to say when someone or anyone recommends that I read a play because I quote “I will like it” it immediately sends alarms bells ringing in my head. How do they know what I would like, and what gives them the right to proclaim this. However I now sit with hat in hand feeling completely delighted that someone (Donald) suggested that I should read this text as it reminded him of my own developing solo performance. In simple terms the play or text is a masterpiece in witty, misleading and provocative writing, and I can’t remember the last time I laughed out loud at something so basic. Simply it is genius.

 

images

The play or text Thom Pain  is about nothing, it is one mans account of his life told on various degrees of tangents. Funnily enough throughout the play there is an underlining story about a young boy in a cowboy suit that never comes to fruition. It connects deeply to my own perceptions of solo performance in my chosen style, as in my performance I am constantly setting something up I.e. an event that will never nor has any intention of coming to a distinct conclusion. The text itself is filled with clever one-liners that are provocative or just plain stupid, there are the irrational thoughts of a man who seems controlled but on the very edge. I feel its style is simple non-exclusive and highly approachable.

I think the opening is by far the most interesting aspect of the text as honestly it is such a non-starter that completely lowers your expectation and lulls you into a perspective of a passive spectator. I also love the fact that it honestly makes you wonder if you wondered into a performance or someone’s emotional breakdown. Looking at my own work I think (if I am allowed to say this) there are strong albeit amateur connections to his work and my own. I’m taking that as the biggest compliment to my own developing solo performance style.

To give you a brief example of Will Eno’s writing I want to share the opening of the script as in my view this should give the clearest example of what the show should be:

Enters in darkness, darkness remains. Footsteps re heard. Pause. A match is lit, to a ciggertte. It is snuffed out, accidentally, without the cigarette being lit

How wonderful to see you all.

A second match is lit, and is, again, accidentally snuffed out.

I should quit.

Pause.

We should define some terms here. Then maybe, you get a little story. So. From the New Century Dictionary of English (Rustling of paper, in the dark.):

Quote, “fear:

1. Any of the discrete parts of the face, as in the eyes or mouth, or eyes.

(Pain, 19, 2004)

 

 THOM PAIN TRAILER. (BASED ON NOTHING)

(PrintRoom, 2012).

I think looking into the development of my own performance I will draw focus on elements that use humor and large unconnected tangents to lead my narrative forward. For example as I am planning to talk about or avoid talking about procrastination I will lead my viewers on a merry chase that ultimately has no point; very much like that of Thom Pane. I think that looking into my own style I will try to establish certain styles and use informal language and mundane props to establish a strong connection to an almost child-like atmosphere. I aim to ultimately create a whimsical performance as apposed to one that evokes paranoia or entrapment. I think from my writing exercises the one problem I will face is creating effective tangents that will lead my story forward but will not over-saturate my work. However I do want to highlight areas in my performance that do draw on real accounts or of popular opinions or ironically “self help books.” I also feel I should very much like Eno use comedy to underpin my writing. I also think a dramatic or mundane entrance would to be interesting to explore.

 

Work Cited.

Pain, T. (2004) Thom Pain: Based On NothingLondon: Oberon Books.

PrintRoom . (2013). The Print Room presents Thom Pain (Based on Nothing) by Will Eno. [Online Video]. 3 September 2012. Available from: https://youtu.be/WOC66s_R01M. [Accessed: 14 April 2016].

Getting the show on the road or is (stage) better?

MY OVERALL THOUGHTS ON MY TECH AND MY DEVELOPING PERFORMANCE. 

Well I have just had my tech for my upcoming and looming solo performance, i’m terrified and honestly fearful that my vision will come across effectively. One major problem I feel I had while undergoing my tech was lighting and overall staging, this of course is easily solved with rethinking my working vision. Currently I have set my staging in a warped version of traverse and avenue (confusing I know) The real problem I felt with my staging was overall direction in terms of what and how an audience would see as a strong connection albeit one that requires me to elevate my sarcasm in order to mock my own work. Sadly due to time constraints and the time it took to rig my window, (yes there is a large white wooden window I’ll get to that later.) I think overall that my staging is effective and does create a highly personal relationship that will elevate my performance, however I just wish that I had more time during my tech to run through my lines and get an overall feel for the space as often as a “actor” I use the term lightly, being in a space is the best way to see what you are capable and able to achieve in the given space.  I also feel after my rigging I need to re-edit my music as potentially it could be to melodic or have to long a running time. Essentially this is just a rant and my overall thinking on performance and tech.  I think the real genius of solo performance is that in someway everything is personally connected in some form or another a personal reflection of yourself, and I really hope that when I preform I exploit this in order to create a blase and immersive performance.

I also feel through drafts of my solo performance scripts I think that the window places less a role in terms of being a metaphor for the human psyche in relation to escapism, however still maintains a key role in establishing a connection to a mature audience and a emotional space. It also conveniently  provides really effective writing opportunity’s for me as an actor and writer. (Can I say that?) I think using a window as a gateway to the outside world is really effective and is a nice way to ground it into the real world. (Also how can clouds projected onto it not look visually amazing or at least charming.)  Rough theatre is so charming and honestly it needs to be seen more.

MY REALLY HONEST THOUGHTS.

If I’m honest further, I am also a little worried about my props or “ascetic” that my audience sees on stage as I would like to fill my stage with the most mundane props that an everyday person can see in their own intimate setting, I.e. bedroom or personal space.  These objects in my head so far range from cardboard cut-outs of clouds and cups,plates biscuits and lollies and even a random printer thrown into the mix, basically I want my set to look boring while stylistic and thrown together. I honestly want the people watching my to think, “he has done fuck all to this performance.” If this happens I will have done myself proud. My performance is not pretentious and it is in itself an honest reflection on myself and my own psyche with a few self-help books and sometimes these are treasure chests for humor and general nonsense. My performance is messy and by god I think it works.

MY REALLY, REALLY HONEST THOUGHT!

 (I’m not saying they don’t help individuals but let’s be honest there is a lot of money to be made in this profession.)

POSSIBLE PROBLEMS. 

My tech might mess up: If this happens, well honestly if this happens it’s tough luck. I keep going.

People may not enjoy my performance: Yeah this could happen, most likely it will as some of the jokes are simply not funny and honestly I think me standing on stage picking up a white sheet and pretending it is the sky, I can see it now… silence. That should be fun to deal with.

I could forget my script: Honestly if this happens, I’ll most likely run away and just sit in a corner.

People may not find my interactivity effective: Every actor runs the risk of not connecting to their audience, however I think offering free food makes things a little easier and breaks down the barrier between performer and spectator. I also think that solo performance in essence needs a connection with a spectator and a effective writer I.e. Jamie Wood’s and Victoria melody do this better than most. I hope I too can capture this feeling.

My script might not be effective: Honestly yet again if this happens I feel it would be an interesting learning curve for me as an actor and aspiring writer, however I feel that I after several drafts and multiple reinventions I have created a whitty and cohesive script that might make one person smile.

DIY Theatre (Or at least try to.)

How DIY Theatre Influenced My Performance. 

My Views. 

While developing my solo performance or show one question I constantly kept asking myself was what did I want my audience to see and experience, of course with any theatrical performance you want the people watching you to go ‘Ohh & Ahh!’ anything less feels slightly underwhelming as an actor/theatre-maker. While undergoing research for my performance I used my own realization of what I myself as a theatrical theatre-maker enjoyed and admired, this left me with one option which I can only define as “rough theatre or DIY (Do It Yourself). ” I have always admired a practitioners ability to take simple everyday objects and elevate them into ones of a more imaginative or practical nature; very much like what I plan to do within my own performance.

I myself as a person could be considered highly cynical, so I think I find the non-bullshit of DIY theatre to be a fresh look in a inventive format. But let’s be honest theatre as a working format is always underpinned as something that takes little thought and clings to its past, this looks to its  future and openly embraces that challenges of message and imagination. How else could you makes a performance about procrastination without the aid of DIY theatre where you can turn a everyday object into something extra ordinary.

My performance I believe will effectively utilize the format of DIY theatre and through this medium will highlight and elevate how such a pointless, and I openly admit this boring subject into something that borrows heavily from Jamie Woods and Victoria Melody’s theatrical style. It is unapologetic and honestly I think that is what makes it brilliant.

Squally Showers by Little Bulb at Zoo Southside in Edinburgh in 2013

What Is Do It Yourself Theatre?  

The term DIY is pretty much self explanatory it is often associated with rebirth or the physical act of reinventing something from a personal perspective, the act of undergoing or to “be independent, or at least ‘self-reliant’” (Daniels, 2014, 7).

However it should be dismissed as being a simple act or process that encompasses a lack of overall thought. “DIY is often associated with an aesthetic that celebrates the imperfect and the make-do-and-mend mentality.” (Gardner, 2014).  It has the capability to approach any given subject in a ascetically pleasing and non financially constrained format that allows deeper focus on the content and not on what will and will not please a passive spectator, and allows a deeper focus on outside of the box theatre-making as Tim Crouch states on conventional theatrical methods of devising, “we are brought up in a society where we are not encouraged to consider the alternative” (Crouch, 2011). I would argue that DIY thatre is a relatively  unexplored medium that has little research into its orgins, however it does seem to thrive in the hands of theatre makers that want to entertain, educate and create a sense of community.

In many ways DIY theatre could be more associated as theatre for the ‘working-class’ and not those associated with a bourgeois social-norm conventions.  “DIY provides an anti-establishment alternative which embraces the understanding that “art exists in questions and ideas around uncertainty and alternativeness” (Crouch, 2011). Crouch says that it rally’s against social-norms, and its importance and relevance really stands on a actors ability to use this medium effectively in their given topic. Interestingly DIY theatre is considered an effective tool when dealing with political issues as it in-itself is a format that is both non intimidating or exclusive as Gardner claims, “DIY is not just about doing it yourself, but also about doing it together and in the process enabling other artists, audiences and institutions through the spirit of generosity.” (Gardner, 2014). It is “helping to bring about a shift in the relationships between artists and buildings, and artists and audiences.” (Gardner, 2014).

Once more into sticky tape and nonsense, or something more fitting to my talents.

Works Cited. 

Daniels, R. (2014) “Shit-Good” and doing it myself (with a little help from my friends). In: Daniels, R. (ed.) D.I.Y. (Do. It. Yourself.) Chichester: University of Chichester, 6-13.

Crouch, T. (2011) Edgelands – Tim Crouch provocation (curated by Fuel)  Available from https://www.youtube.com/watch?v=Bf7Wz8oiOjE [accessed 27 April 2016].

Gardner, L. (2014) DIY theatre (because nobody else will). The Guardian. Available from: https://www.theguardian.com/stage/theatreblog/2014/oct/23/diy-theatre-little-bulb-chris-goode [accessed 12th May 2016].